optimist prime
we are all in the gutter, but some of us are looking at the starsArchive for design
D&AD Student competition and awards identity
I HEART D&AD, and I love the Student Awards, so I am always excited by what they’re up to. Launched this week by Pentagram, the new look for the D&AD Student Awards is an interesting blend of brave colours, a real attempt at referencing the digital nature of the scheme and some seriously interesting thinking.
As the Creative Review blog states: “The new work pixellates the familiar yellow pencil and uses elements of this effect across a new website and array of printed materials – including posters and briefing postcards – reflecting the organisation’s decision to take the contents of the Annual online…”
The introduction of colours other than the usual yellow is REALLY lovely – the postcards and the letterheads are sweet as. The only thing that disturbs me slightly by it all (and I say this with the greatest hesitation, and with much love – its nothing I haven’t said to the D&AD peeps already) is that the real close-ups look a bit, well, a bit like goatse. Pixellation not only references ‘digital’, but also something NSFW, and goatse is such an internet ‘classic’ its hard to miss. Well, call me dirty, but it was hard for me to miss anyway. But maybe I just belong in the gutter.
Seriously though, I just can’t get it out of my head. And I couldn’t be wanting to try harder or be more sorry about it.

Museum of hidden web goodness
There’s a real groundswell of love for loaders at the moment – what with the Creative Circle Honours 2009 having a special one-year-only award category, and a build-up of online chatter about this more and more rarely seen craft. Now Big Spaceship have taken us into the next dimension with their brilliant loader museum – Prettyloaded. At the moment it seems to be just hosting their extensive agency collection, but looks like plans are to expand. If you have a great loader, email the curators here.

Glug! London launches its Xmas exhibition with a bang!
The Glug! London event last night was brilliant.
Even better, Paul Rayment (wonderful glue illustrator) won with his neon video:
And old Lateral mate of mine Siaron Hughes came second with her gorgeous little book, where she interviewed her neighbours on what they wanted for Christmas. She’s currently working on a book about the dodgy chicken shops of London – watch this space!
Here are some pics of the event:
All I want for Xmas, Glug! London style
“More Notworking than Networking”, Glug! is a brilliant organisation set up by old glue compatriot Nick Clemant (he of the inexhaustable font collection).
I helped judge the inaugral Xmas competition, and never have I felt so dwarfed by the judging talent – Vaughan Oliver is just my absolute hero for his great work for The Pixies! So much more daunting than jusst having agency bods on the panel!
After finishing the judging only yesterday (over 150 entries!) I’m heading to the event tonight, where I’ll finally get to see the winners!

Incredible skeletal windows at Harvey Nicks
Heading off to work from a talk at the IPA this morning, and wandered past these immaculately constructed coathanger carcassses running through the front windows of Harvey Nichols.
My photos aren’t great, but the giant skeletal remains of strange fish and beasts stretched through the length of the glass display space along Knightsbridge… Wow…
Football 24-7 goes live for NGM
Just finished this site for NGM – turning a complicated offering (and old site) into something hopefully much more sticky!








